MARCH / APRIL | 2024
Sunset Dive (2020) by David Doran
ESSAYS
Slogan Maker (2015) by Stephen Douglas
HOW TO HAVE A LONG, HAPPY LIFE
STEVE DAVIDSON
THE WILD GODS OF BARBARA EHRENREICH AND WILLIAM JAMES
C. FRED ALFORD
THEY SHALL REAP THE WHIRLWINDON THE ONGOING ISRAEL-HAMAS WAR
STEVE ABRAMS
RETURN TO THE MAGIC MOUNTAINBRIAN PATRICK BOLGER
THE KNIGHT OF REASON
MARK GLOUBERMAN
GLOBAL WARMING AND SHARK ATTACKS
PAUL B. DONOVAN
A MALE BIAS IN THE NEW TESTAMENT?
STEPHEN B. MACHNIK
EFFICIENT RECYCLERS AND MORAL SUBJECTS
JIMMY ALFONSO LICON
ART & STYLE
Jocelyn Hobbie, Sun Facing, 2022, oil painting, 18 x 18 inches. Image courtesy Fredericks & Freiser, NY
WHY ARE THERE SO MANY GREAT PAINTINGS OF WOMEN BY WOMEN RIGHT NOW?
CRAIG MCDANIEL
CONVERSATIONS LIFE, ARTIFICIAL INTELLIGENCE AND EVOLUTION
A DIALOGUE BETWEEN A PHILOSOPHER AND A BIOLOGIST
MIKHAIL EPSTEIN AND EUGENE KOONIN
AN (ADDITIONAL) INTERVIEW WITH JEAN-LUC BEAUCHARD
A.T. STOJKOVICH
INTERVIEW WITH RABBI ANSON LAYTNER
MARY LANE POTTER
FICTION & POETRY
Russian Muzhik (1920) by Boris Grigoriev
VALENTIN RASPUTIN
LOOKING BACKWARDS FROM THE YEAR 2123
MARTIN SHUSTER
ANNA-CHRISTINA SCHMIDL
STEPHEN HAVEN
ARJEN BOSWIJK AND UKO POST
GEORGIA TIFFANY
BOOKS & REVIEWS
Simone de Beauvoir, Paris, France, 1952. (Gisele Freund/Researchers History/Getty Images)
“WHO SHALL I TAKE AS MY EXAMPLE? WHO SHALL I LEARN FROM?”
NINA BERBEROVA AND SIMONE DE BEAUVOIR
IRINA VINOKUROVA
HOW THE NEWS MEDIA WARPS OUR MINDS
JOHN ZADA
IN SICKNESS AND IN HEALTH AND YOM KIPPUR IN A GYM
A REVIEW
MICHAEL POSNER
FOR THE POSTHUMOUS GARCÍA MÁRQUEZ NOVEL NOW ON ITS WAY
JOHN CUSSEN
TWO THEOLOGICAL VIEWS OF POLITICAL ORDER
TSONCHO TSONCHEV
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